A Redempção’s album recorded 47 manumissions in Cristina with differing terms: some unconditional, others tied to years of service or valuation arrangements. These varied conditions caution against treating every manumission as equivalent. The paper’s listing preserved the formal acts while also exposing how owners could retain leverage over freed people’s labor and time.
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What do the 47 manumissions reported in May illustrate?
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Some releases were unconditional; others involved service or valuation.
All 47 manumissions reported in Cristina were unconditional.
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The account described differing terms, including service or valuation.